零 (ling)/30s (THEY/THEM/佢)
art tag: #a pile of bread
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Professional Animation Software offer for Charity!
anatomicalart

My animation teachers informed our class of this, and I thought it would be worth sharing.

macheist.com is offering an EXTREMELY good deal on  the following software!

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This You get all the above software (including the student version of the professional animation software ToonBoom, which is very similar to Flash.) for $19.99.
ToonBoom itself usually costs $249.
This software bundle would usually cost $1,786.
What’s the catch? Only that 10% of the money you spend will be given to a charity of your choice!

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Seriously guys! Look how much they’ve raised so far.

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Toonboom was used in the production of the following TV series, and even more animated feature films. (according to Wikipedia).
It is a professional standard software.
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I know a lot of our followers are animators, and even more are artists so this is worth your consideration.

[Follow this link to their website]
The deal will end in 15 hours time.

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This is not a stupid question at all! I’m glad you asked.

MacHeist gives you the promo code. You download the software from the software website itself. This means that if the software itself is compatible with Windows, you will be able to chose between a Mac OR Windows download.

I know for a fact that Toonboom (the animation software) Is compatible with both Mac and PC.

ToonBoom will work on Mac and/or Windows. 
You will have to check the individual websites of the other software for the specific compatibility information on them.

Instructions: (If you need help downloading)

Read More

farorescourage:
“ paranormaldaily:
“ The picture was taken without anyone knowing an apparition may have been caught on film, seeing as how the shape only appeared in the picture AFTER it was taken. No one was aware of a ghostly presence or strange...
paranormaldaily

The picture was taken without anyone knowing an apparition may have been caught on film, seeing as how the shape only appeared in the picture AFTER it was taken. No one was aware of a ghostly presence or strange activity when the photo was snapped. The picture was taken in Kramer, Pa., circa 1977. It has received moderate attention in local newspapers in the past.

farorescourage

I know who it is!

fascinasians:

Photographer Annie Ling’s work “A Floating Population” is on view through Sunday as part of an exhibition exploring “the connection between people and lived spaces within this neighborhood” at The Museum of Chinese in America (MOCA) in New York. MOCA says its mission is to celebrate the living history of the Chinese experience in America and encourages contemporary artists to tell those stories.

Curator Herb Tam said the project  “Chinatown: Beyond the Streets,” which includes two exhibitions, serves as an attempt to “look beyond the streets into the interior life of Chinatown, its domestic spaces and collective memory.” Ms. Ling’s photographs, spanning four years of work, allow viewers to access the “internal, private worlds” of the residents of Chinatown in a display of more than 80 imagescomposed of four sections: “81 Bowery,” “Shut-Ins,” “Tenements,” and “A Floating Population.”

Below is a selection from Ms. Ling’s photographs taken in New York’s Chinatown, on view through the weekend at MOCA.

 Workers share a late supper together with Chu Ben Jin in cubicle #4, at 81 Bowery.
From the series “81 Bowery,”2010
 The home of Fung Shok Yin, a homebound resident of a tenement building on Pell Street.
From the series “Shut In,” 2009
View from inside a bridal boutique after store hours.
From the series “A Floating Population,” 2012
 Most residents at the Bowery lodge are men. Often at the end of work days, meals would be shared in the hallway.
From the series “81 Bowery,” 2010
Inside the halls of a tenement building.
From the series “Tenements,” 2009
Residents burn money and goods made of joss paper to send to a deceased family member outside a makeshift Buddhist temple.
From the series “A Floating Population,” 2012
 Chang Yi Ang, 63, redeems cans at a recycling depot for 5 cents each, earning about $20-$30 per visit from recyclables he collects from trash picking.
From the series “A Floating Population,” 2011 
Photographs on the walls of the home of Fung Shok Yin, a homebound resident of a tenement building on Pell Street.
From the series “Shut In,” 2009
One of the last lodging houses in New York City, 81 Bowery has been home for more than a generation of immigrant Chinese laborers who work at construction sites and kitchens in Chinatown. Today, dozens of individuals are left sharing the fourth floor—each occupying a 64-square-foot cubicle.
From the series “81 Bowery,” 2010
 Ng Chiu Cheng, an 83-year-old widow, immigrated from Hong Kong to New York in 1959 and worked in a garment factory as a seamstress. Ng has lived in isolation for five years and is unable to leave her apartment on her own, struggling with grief and depression.
From the series “Shut In,” 2009
Chen Yin Zhen prepares to turn in for the night. Because the cubicles are without their own ceilings, there is very little privacy at the Bowery lodge.
From the series “81 Bowery,” 2010
Ms. Ling’s former residence on 22 James Street during reconstruction more than six months after a fatal fire destroyed the building and displaced more than 200 individuals, including the artist herself, in February 2009.
From the series “Tenements,” 2009
fascinasians

Photographer Annie Ling’s work “A Floating Population” is on view through Sunday as part of an exhibition exploring “the connection between people and lived spaces within this neighborhood” at The Museum of Chinese in America (MOCA) in New York. MOCA says its mission is to celebrate the living history of the Chinese experience in America and encourages contemporary artists to tell those stories.

Curator Herb Tam said the project  “Chinatown: Beyond the Streets,” which includes two exhibitions, serves as an attempt to “look beyond the streets into the interior life of Chinatown, its domestic spaces and collective memory.” Ms. Ling’s photographs, spanning four years of work, allow viewers to access the “internal, private worlds” of the residents of Chinatown in a display of more than 80 imagescomposed of four sections: “81 Bowery,” “Shut-Ins,” “Tenements,” and “A Floating Population.”

Below is a selection from Ms. Ling’s photographs taken in New York’s Chinatown, on view through the weekend at MOCA.

 Workers share a late supper together with Chu Ben Jin in cubicle #4, at 81 Bowery.
From the series “81 Bowery,”2010
 The home of Fung Shok Yin, a homebound resident of a tenement building on Pell Street.
From the series “Shut In,” 2009
View from inside a bridal boutique after store hours.
From the series “A Floating Population,” 2012
 Most residents at the Bowery lodge are men. Often at the end of work days, meals would be shared in the hallway.
From the series “81 Bowery,” 2010
Inside the halls of a tenement building.
From the series “Tenements,” 2009
Residents burn money and goods made of joss paper to send to a deceased family member outside a makeshift Buddhist temple.
From the series “A Floating Population,” 2012
 Chang Yi Ang, 63, redeems cans at a recycling depot for 5 cents each, earning about $20-$30 per visit from recyclables he collects from trash picking.
From the series “A Floating Population,” 2011 
Photographs on the walls of the home of Fung Shok Yin, a homebound resident of a tenement building on Pell Street.
From the series “Shut In,” 2009
One of the last lodging houses in New York City, 81 Bowery has been home for more than a generation of immigrant Chinese laborers who work at construction sites and kitchens in Chinatown. Today, dozens of individuals are left sharing the fourth floor—each occupying a 64-square-foot cubicle.
From the series “81 Bowery,” 2010
 Ng Chiu Cheng, an 83-year-old widow, immigrated from Hong Kong to New York in 1959 and worked in a garment factory as a seamstress. Ng has lived in isolation for five years and is unable to leave her apartment on her own, struggling with grief and depression.
From the series “Shut In,” 2009
Chen Yin Zhen prepares to turn in for the night. Because the cubicles are without their own ceilings, there is very little privacy at the Bowery lodge.
From the series “81 Bowery,” 2010
Ms. Ling’s former residence on 22 James Street during reconstruction more than six months after a fatal fire destroyed the building and displaced more than 200 individuals, including the artist herself, in February 2009.
From the series “Tenements,” 2009
mamamantis

it’s not even like

sigh

it’s not even about like

"i need to learn not to conflate genitals w gender so i can avoid reblogging a text post that will make ppl on tumblr mad"

it’s honestly not just like. playing this game of minesweeper where u just try not to reblog stuff that will make ppl mad at u

that’s not the point

the point is “i need to learn not to conflate genitals w gender so that i can UNLEARN violent, oppressive, harmful thought patterns about trans ppl”

and part of that is not reblogging rhetoric that supports those thought patterns

but at the end of the day it’s not about avoiding transphobic posts on a blogging website

it’s about changing the way we think about trans ppl bc we’ve been taught to think awful, horrible, invalidating, dehumanizing things about them and we have to take responsibility for that and do everything in our power to get rid of that shit so that we don’t hurt the people around us

the goal should not be to see a text post that says “penis = man” and think “i shouldn’t reblog this post bc it includes wording that ppl will call out as transphobic”

the goal should be to see a text post that says “penis = man” and think “i’m not going to reblog that because it’s incorrect”

astonishingly

romeo thought juliet deleted her blog so he deleted his and she was so sad she deleted for real

#