1. A rapper who’s currently one more single away from becoming full blown mainstream who ISN’T switching gears just yet to cater to the mainstream audience and what they consider hip-hop to be/what hip-hop has become, which is between Iggy Azalea, Bobby Schmurda, and Drake.
2. A rapper who’s this close to full blown mainstream that isn’t rapping about simple shit, and who’s rapping over The Isley Brother’s “That Lady,” about loving himself regardless of the oppression that’s oozing through the cracks of our broken community/country.
3. The video of a rapper who’s close to full blown mainstream depicts the beauty and the tragedy of how Black people live. Where you feel incredibly happy to want to be in the crowd of people who are dancing at the club or walking the streets with Kendrick, you begin to feel a bit of annoyance seeing the police handcuffing the black man, or seeing the man yell and scream at his lady with kids around.
4. The video featured beautiful black people, in all different shades and all different personalities, just BEING. The women weren’t heavily sexualized and didn’t only have large breasts, big asses, light skins, and long, flowy hair. Our girls with kinks and curls came through, with skin shades reminiscent of coffee or honey, who were skinny or had a little sum’n sum’n. It was one great big party, and reminded me of Janelle Monae’s “Electric Lady,” video, where a bunch of beautiful Black people are together and CELEBRATING. Waving hands, dancing, singing out loud, SMILING… This year has been a whirlpool of anger, disappointment, eye rolls, “Fuck You’s”, and we haven’t gotten much reason to smile, aside from seeing people like Mo’Ne Davis achieve and succeed. It’s refreshing seeing us smile on our screens.
5. This video and the song illustrates where Kendrick is at. It illustrates he’s down for his blackness, his community, his art, his fans, and himself. In an industry where money talks quicker than your imagination to create great shit does, Kendrick continues to make money while he creates great shit, while representing us and himself. He’s not afraid of the truth, when it comes to telling it or BEING it.
Like seriously why aren’t we talking about the fact that white trans people like Brandon Teena and Leelah Alcorn are made into symbols, have foundations opened immediately for them, are turned into fucking movies, but the names of TWOC like Islan Nettles, Alejandra Leos, Nizah Morris, Tiffany Edwards, Zoraida Reyes, Kandy Hall, and Yaz’min Shancez don’t even escape our fucking mouths.
stop using the asterisk after trans. it was created to include people who arent even trans (like cis drag queens) and if you use it because you think it’s more inclusive of nonbinary people, you’re implying that nb people aren’t really trans
Nathaniel: What if you found a living body to possess?
Justice: Even if I knew how, I would not possess the living. Such is an act for demons.
Nathaniel: What if the person were willing?
Justice: Why would a mortal ever allow such a thing?
Nathaniel: For life. For love. Perhaps together, you can do what they cannot do alone. If you gave instead of taking, I would consider you no demon.
Justice: It is...something to consider. Thank you, Nathaniel.
